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Chillout Sessions refers to the high selling series of compilations released by that focus on songs from the genre. Songs on Chillout Sessions compilations vary in style from to and are released by many different artists. The Chillout Out genre of compilations started in the UK and since 2003 Ministry of Sound has released them under different tropes such as 'Chilled', 'After Hours', 'The Morning After.' Which has shown MOS to have seemingly ended its branding of the genre as Chillout Sessions. A similar series started in Australia, where the series changed its name from The Chillout Session to The Chillout Sessions and then simply to Chillout Sessions and continues with annual releases to this day (latest version is XVIII released 2016).
Prodigy & Boogz Boogetz - Young Rollin Stonerz (2014) 01. Money & Power 04. This is one of the most complete The Prodigy discographies in the net. Here you can find all the information about The Prodigy's releases. Each album has been a new step for the band, with their styles dramatically changing, but the hardness, and technical skill of the music never fluctuates!
Some Chillout Sessions albums have become known and distinguishable for the symbol of a turntable (with the Ministry of Sound logo on it) frozen in ice, or in one case ( The Summer Collection 2003) the turntable itself is made of ice. In the UK this motif is used on the covers of volumes 1, 2, The Winter Collection (2003), The Summer Collection 2003, and The Very Best of album. In Australia, the image is used for volumes 1-6 except on volume 3.
The idea of the turntable with the Ministry of Sound logo on had been used on the covers of the Ministry of Sound Clubbers Guide in prior years (and in The Annual IV), the idea of such turntable on the covers was last used on Clubbers Guide albums in early 2001 when The Chillout Session began using the idea. Contents. History Ministry of Sound, as a label, began in 1993 and its first album was the first volume of a series called. The series was successful enough for it to generate a spin-off series of The Chillout Session, which began in 2001 with a UK Compilation Chart #1 album.
Volume 2 was also very successful. The first and second volumes were released in both the UK and Australia, but the series divided in August 2001, with one series for the UK and the other for Australia. In the UK, Ibiza Chillout Session was released in August 2001.
Although not as successful as the prior releases, it received positive reviews, as did the Ibiza 2002 album. Though the four albums released were part of the series, the fifth album The Chillout Annual 2002 was part of series, which was the Ministry of Sound's second series of mix albums, and likewise had Ibiza Annual spin-offs beginning in 1998. Following the numbered releases (volumes 1 and 2) and both the Ibiza. Releases, the albums were themed to seasons, starting with The Winter Collection 2003 (actually released in late 2002, as the sort of style Chillout Annual 2003). The Summer 2003 edition reached #10 in the UK Compilations Chart.
A third Ibiza. Edition, Ibiza Sunsets, was released shortly afterwards. This series, despite sales success, was suspended in favour of other Ministry of Sound albums in 2003. Its final album The Very Best of the Chillout Sessions was released in late 2003, but did not sell well and until 2011 was the worst-selling album in the series. Ministry of Sound started the series again in January 2006, with an album titled simply The Chillout Sessions (titled to reflect the fact that it was a reboot for the series). This album had good sales but there were no subsequent releases.
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In 2007, Ministry of Sound launched a new series, Anthems, beginning with. It sold very well and it generated a spin-off album, Chilled 1991–2008. This was followed by a second volume in 2009, a third (suited to acoustic chill-out music) in 2010 and a fourth ( Chilled Afterhours, similar to the label's Late Night Sessions albums) in 2011. 2011 was also the year that Ministry of Sound launched its large-scale campaign 20:20, to celebrate 20 years of The Ministry of Sound as a club. One of the associated releases was the box set XX Twenty Years, each disc made up of a different dance genre; the final disc in the box set was Chillout Sessions. Around the same time, Anthems Collection was released, with five discs, each from a different genre, the final one being Anthems Chilled.
Amongst the releases from 2002-2004, Ministry of Sound UK also launched spin-off compilations such as Late Night Sessions and Late Night Sessions: Autumn/Winter Collection. With the genre tiring somewhat (the same songs were appearing repeatedly) Ministry of Sound has continued to release Chill Out genre compilations under different guises in the UK. By 2016 these were distinctly split between house-based chillout tracks ( Chilled House Sessions 1-7, 'Morning After.) to more chart-friendly (compared to the eclectic range of earlier releases) compilations ( The Chillout Session (2012), Perfectly Chilled and Just Chillin').
2016-2017 has notably been a key focus on chillout albums from MoS, much like the early 00s when Dance music had reached its zenith, due to the EDM emergence in America that has moved onto producing slower electronic tracks that combine synths with slower house rhythms or hip-hop beats. In Australia, the series has been a continued success from Volume 3 in 2002. In a different approach from the UK, the Australian series maintained the numbering system as a suffix in its titles, with only the 'Best of.' Style album Chillout Classics omitting a number from the title.
Biography
The Prodigy are the perfect example of the band that ignored all the stereotypes, rules and patters, chose its own way and rose to universal fame from the depths of underground. Their story began 1990 with the surfacing of the first single What Evil Lurks, a rarest thing today. It was followed by the immediate release of the legendary single Charly, one of the most popular dance hits of that time. Until that time, it was difficult to find the information on The Prodigy lineup and the background of the members. It appeared that although the band consisted of four people, the music was written and performed by only one of them, Liam Howlett, the founder of the project. He needed the other three, Maxim Reality, Keith Flint and Leeroy Thornhill to dance and sing during the live performances.
The first album by The Prodigy was called Experience and saw light in 1992. It held the first place in the British charts for twenty five weeks and took a shortest time to get golden. The Prodigy established a new model of hard dance music and never let any performer do it better than them. In 1994, they released Music for the Jilted Generator selling more than a million copies worldwide. Most meticulous critics and influential magazines named it the main event of the year in the dance music world and flooded the band with prizes, titles and awards. It was the perfect moment to get ready for tours. 1994 and 1995 were spent in endless concerts all around the world to bring madness and delight to each stage the musicians stepped on.
Poison (1995) became already the band’s ninth single to top the charts while The Prodigy’s performance in the major Glastonbury festival was proclaimed the best one in the history of the event. The underground extreme music group reached the mainstream level still playing non-pop music. The 1996 single Firestarter signaled the approaching of The Prodigy’s strongest and most successful album Fat of the Land released in 1997. It headed the charts of twenty two countries and sold 2,500,000 CDs in the first three weeks. The Prodigy produced the music that dethroned the concepts of traditional songwriting and neglected the moral codes. The video for Smack My Bitch Up was prohibited by many channels and aired by MTV only late at night due to extreme graphical drug and alcohol use and sex. The Prodigy used the moment of glory to sink into silence for a while. They made everybody wait eagerly for their next move and guess what it would be like. They also needed the time to find the new direction to develop not to become a sellout and pop-oriented band.
In 2000, Leeroy left The Prodigy to make the total number of the members just three. After an incredibly long seven-year break, they returned to their fans with the 2004 most anticipated album Always Outnumbered, Never Outgunned. The music was strongly different from what they had done before mainly due to the unprecedented focus on the vocals and significant contribution of the guest performers headed by Liam Gallagher from Oasis. Howlett tried to apply as much live instruments as possible, which also distinguished this work from the others. As a result, the record was nominated for Grammy as one of the best dance albums. In 2005, The Prodigy released the collection of the best songs, Their Law: The Singles 1990-2005. The band’s first two albums were re-issued in 2008 with additional material composed mostly by rare songs and remixes.
The Prodigy’s fifth album Invaders Must Die was released half a decade on since their last one. Liam Howlett suggested that Invaders Must Die would see The Prodigy return to their earlier sound and this becomes apparent within the first few songs of this record (such as in the title track and energetic lead single Omen). The blatant, stirring calls for rebellion and anti-authority rants were still there. The album featured Keith Flint's most effective vocal contribution and Maxim's appearance on the apocalyptic World 's On Fire.
Studio Albums
Singles
EP
Compilation albums
Their Law: The Singles 1990-2005
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